Over Saturday 7th and Sunday 8th March, Richard Alston Dance Company performed Final Edition, the…
Review: Jospeh Toonga – Born to Manifest
Born to Manifest – its title implying a kind of destiny of strength, growth and…
Review: Dada Masilo’s Giselle
The premise of Dada Masilo’s Giselle re-work (at The Lowry) is one of assigning the…
Review: Igor+Moreno ‘Andante’
Entering the intimate studio theatre for the opening of Igor and Moreno’s Andante feels like…
Hofesh Shechter Company’s Grand Finale – a piece to move audiences with universal truths of a turbulent political world
True to the title, Hofesh Shechter delivers a cinematically loud and emotionally rallying spectacle. In…
Review: Rambert’s Life is a Dream
Rambert’s Life is a Dream opens onto a grey and sleepy scene – dancers lull…
balletLORENT’s Rumplestiltskin is “glittering and golden”
Rumpelstiltskin is a classic fairytale that every household has in their conscious, and balletLORENT has…
Richard Alston Dance Company: Mid Century Modern “is an immersion in contemporary dance heritage”
Richard Alston Dance Company’s Mid Century Modern is an immersion in contemporary dance heritage, as…
Ballet British Columbia Triple Bill “showcases dancers’ impressive virtuosity and strength of their contemporary ballet style”
Oozing suspensions, rapid turns and punctuated stillness after sliding and gliding with momentum – such…