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Natalie Russett

Richard Alston Dance Company - Voices and Light Footsteps. Photo by Chris Nash
Reviews
March 9, 2020

Review: Richard Alston Dance Company – Final Edition

Over Saturday 7th and Sunday 8th March, Richard Alston Dance Company performed Final Edition, the…

32 Shares
Natalie Russett March 9, 2020
Joseph Toonga - Born to Manifest
Reviews
February 15, 2020

Review: Jospeh Toonga – Born to Manifest

Born to Manifest – its title implying a kind of destiny of strength, growth and…

Natalie Russett February 15, 2020
Dada Masilo - Giselle
Reviews
October 23, 2019

Review: Dada Masilo’s Giselle

The premise of Dada Masilo’s Giselle re-work (at The Lowry) is one of assigning the…

Natalie Russett October 23, 2019
Reviews
October 19, 2019

Review: Igor+Moreno ‘Andante’

Entering the intimate studio theatre for the opening of Igor and Moreno’s Andante feels like…

Natalie Russett October 19, 2019
Hofesh Shechter Company - Grand Finale. Photo by Rahi Rezvani
Reviews
May 27, 2019

Hofesh Shechter Company’s Grand Finale – a piece to move audiences with universal truths of a turbulent political world

True to the title, Hofesh Shechter delivers a cinematically loud and emotionally rallying spectacle. In…

1 Shares
Natalie Russett May 27, 2019
Rambert - Life is a dream. Photo by Johan Persson
Reviews
October 14, 2018

Review: Rambert’s Life is a Dream

Rambert’s Life is a Dream opens onto a grey and sleepy scene – dancers lull…

Natalie Russett October 14, 2018
balletLORENT. Photo by Bill Cooper RUMPELSTILTSKIN
Reviews
April 23, 2018

balletLORENT’s Rumplestiltskin is “glittering and golden”

Rumpelstiltskin is a classic fairytale that every household has in their conscious, and balletLORENT has…

Natalie Russett April 23, 2018
Reviews
March 25, 2018

Richard Alston Dance Company: Mid Century Modern “is an immersion in contemporary dance heritage”

Richard Alston Dance Company’s Mid Century Modern is an immersion in contemporary dance heritage, as…

3 Shares
Natalie Russett March 25, 2018
Ballet BC- “Solo Echo,” a dance full of yearning choreographed by Crystal Pite, an alumna of Ballet Frankfurt, at the Joyce Theater on Wednesday. Credit Andrea Mohin:The New York Times
Reviews
March 22, 2018

Ballet British Columbia Triple Bill “showcases dancers’ impressive virtuosity and strength of their contemporary ballet style”

Oozing suspensions, rapid turns and punctuated stillness after sliding and gliding with momentum – such…

Natalie Russett March 22, 2018
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