Shobana Jeyasingh MBE, choreographer and artistic director of Shobana Jeyasingh Dance has been creating dynamic…
Yaman Okur returns to Breakin’ Convention Presents with Jean-Philippe Collard Neven in 1mm Au Dessus Du Sol
Breakin’ Convention is the powerhouse behind UK hip hop dance-theatre. The festival showcases the finest…
Akram Khan’s devastatingly beautiful Giselle returns to Sadler’s Wells
Akram Khan’s version of the classic ballet transports Giselle from her village to a migrant garment factory.…
REVIEW: Lanre Malaolu’s Elephant in the Room is a “vivid and poignant” depiction of depression.
Lanre Malaolu sparks an important and increasingly relevant dialogue with Elephant in the Room. You might expect…
Ballet Black’s Triple Bill demonstrates Ballet Black’s skill and ability to hybridise dance forms
To mark Ballet Black‘s 18th season, Artistic Director Cassa Pancho presents an exciting triple bill: a…
REVIEW: Uchenna Dance’s Hansel & Gretel has the whole family bouncing in their seats
Choreographer Vicki Igbokwe retells the classic story of Hansel & Gretel, amalgamating house, waacking, vogue and…
REVIEW: Akademi presents The Troth – a moving tribute to the sacrifice of thousands of Indians in the First World War.
Inspired by Chandradhar Sharma Guleri’s iconic Hindi short story Usne Kha Tha, choreographer Gary Clarke’s love story follows young…
REVIEW: Birmingham Royal Ballet’s La Fille Mal Gardée will make you smile until your face aches
If you’re seeking a breezy, light-hearted, rom-com of a ballet, then you’ve come to the…
Jasmin Vardimon’s Medusa: a re-conceptualisation of a Greek myth for the era of green politics and #metoo
With rippling snake arms that whip out from her back, dancer Jasmin Orr emerges from…