Yet more Schlemmer creations graced the stage of Akademie der Künste on the final night…
100 Jahre Bauhaus: Oskar Schlemmer’s Triadic Ballet – a staple of contemporary dance history
Few pieces of dance choreography have taken on such iconic status that they can be…
100 Jahre Bauhaus: BAUHAUSCLUB 2.019: Hyper.Culture
Were there techno DJs at the Bauhaus’s famous parties? No of course not. But BAUHAUSCLUB…
100 Jahre Bauhaus: Das Totale Tanz Theater 360°- “a virtual reality experience for man and machine.”
One of the aspects of Bauhaus that makes it most relevant to the 21st Century…
Review: Celis | Eyal – a combination to forge an evening of opposites
Amidst the copious performances of The Nutcracker that Berlin’s Staatsballet are churning out over the…
Review: Sasha Waltz Orfeo an atmospheric multi-disciplinary adventure!
With ballet companies often being based at opera houses, and often featuring in operas themselves,…
Swan Lake by Staatsballet Berlin is a “majestic and surreal beauty”
It is particularly interesting to watch the Staatsballet’s production of Swan Lake (or should I…
Onegin danced by Berlin Staatsballet at Staatsoper Unter den Linden
The beautiful, opulent Staatsoper Unter den Linden, with its creamy white and gold interior, recently…
Review: The genius of “The Show Must Go On” is its ability to take the audience from laughing out loud to sombre reflection
French choreographer Jerome Bel’s The Show Must Go On is a dance work that lives…
Review: NDT2 40th anniversary programme presents “some of the finest dancers in the world!”
Emily May reports from Berlin. As you enter the packed, buzzing Haus der Berliner Festspiele (House…
Review: English National Ballet’s Lest We Forget – “compelling, visually, emotionally & intellectually arresting”
Lest We Forget, a triple bill by English National Ballet returns to Sadler’s Wells to…