If postmodern means something and something good, that is what Hélène Blackburn’s Les Beaux Dormants…
English National Opera in collaboration with Studio Wayne McGregor: Orpheus and Eurydice
As Wayne McGregor, the director and choreographer of ENO’s new production of Gluck’s opera Orpheus…
San Francisco Ballet Programme B and C: The Watchmakers Are in Town
In the Netflix-style dance bonanza that San Francisco Ballet is gifting the London crowd over…
The San Francisco Ballet: Russian Demons and Cheeky Angel in Ratmansky’s Shostakovich Trilogy
The San Francisco Ballet is pulling all the stops on its London tour with not…
Rambert Triple Bill: McGregor/ Motin/ Shechter: Adventurous, courageous, brilliant and silly, all in one!
Rambert is a pulsating hub of experiment and modernity in dance. Independent and fearless, committed to…
Tesseract, by Charles Atlas, Rashaun Mitchell and Silas Riener is an absolute experience
Tesseract is an absolute experience. From the first half, (Tesseract □), which is a film…
Alston Dance Company’s Quartermark: Still Modern
It is perhaps one of the great thrills of live performances that you know the…
Reflecting on the launch of Rambert2 as the company tours the UK
One of this year’s much anticipated launches was that of new Rambert2 Company in November. And…
New York City Ballet’s 21st Century American Neo-Classical: the Boring, the Beautiful and the Shameless
The New York City Ballet (NYCB), the company founded and honed by the great ballet…