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Ada Bronowski

Ballet du Rhin - Les beaux dormants. Photo by Nis For
Reviews
November 24, 2019

Ballet of the Opera National du Rhin’s Les Beaux Dormants by Hélène Blackburn are actually wide awake

If postmodern means something and something good, that is what Hélène Blackburn’s Les Beaux Dormants…

Ada Bronowski November 24, 2019
Orpheus and Eurydice (c) Donald Cooper
Reviews
October 14, 2019

English National Opera in collaboration with Studio Wayne McGregor: Orpheus and Eurydice

As Wayne McGregor, the director and choreographer of ENO’s new production of Gluck’s opera Orpheus…

3 Shares
Ada Bronowski October 14, 2019
San Francisco Ballet in Peck's Hurry Up, We're Dreaming. © Erik Tomasson
Reviews
June 6, 2019

San Francisco Ballet Programme B and C: The Watchmakers Are in Town

In the Netflix-style dance bonanza that San Francisco Ballet is gifting the London crowd over…

Ada Bronowski June 6, 2019
San Francisco Ballet in Ratmansky's Piano Concerto #1. © Erik Tomasson
Reviews
May 31, 2019

The San Francisco Ballet: Russian Demons and Cheeky Angel in Ratmansky’s Shostakovich Trilogy

The San Francisco Ballet is pulling all the stops on its London tour with not…

2 Shares
Ada Bronowski May 31, 2019
Rambert - Marion Motin's Rouge. Photo by Johan Persson
Reviews
May 16, 2019

Rambert Triple Bill: McGregor/ Motin/ Shechter: Adventurous, courageous, brilliant and silly, all in one!

Rambert is a pulsating hub of experiment and modernity in dance. Independent and fearless, committed to…

Ada Bronowski May 16, 2019
Tesseract. Photo by Nathan Keay
Reviews
March 7, 2019

Tesseract, by Charles Atlas, Rashaun Mitchell and Silas Riener is an absolute experience

Tesseract is an absolute experience. From the first half, (Tesseract □), which is a film…

Ada Bronowski March 7, 2019
Alston Dance Company - Detour. Photo by Chris Nash
Reviews
March 6, 2019

Alston Dance Company’s Quartermark: Still Modern

It is perhaps one of the great thrills of live performances that you know the…

Ada Bronowski March 6, 2019
Rambert2 triple bill, Artsdepot, London, 18 Oct 2018. Killer Pig - Choreography: Sharon Eyal, Gai Behar; Music: Ori Lichtik; Lighting Design: Kevin Jones; Costumes: Sharon Eyal, Gai Behar, Odelia Arnold; Re-staged by: Leo Lerus; Dancers: Darlyn Perez, Imogen Alvares, Salomé Pressac, Antonio Sangirardi, Meshach Henry, Han Hua, Joshua Atwood; Photo © Foteini Christofilopoulou.
Features, Reviews
December 10, 2018

Reflecting on the launch of Rambert2 as the company tours the UK

One of this year’s much anticipated launches was that of new Rambert2 Company in November. And…

Ada Bronowski December 10, 2018
New York City Ballet in Justin Peck's Pulcinella Variations.© Paul Kolnik
Reviews, Features
October 14, 2018

New York City Ballet’s 21st Century American Neo-Classical: the Boring, the Beautiful and the Shameless

The New York City Ballet (NYCB), the company founded and honed by the great ballet…

211 Shares
Ada Bronowski October 14, 2018
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